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Potato Blossom Songs and Jigs

by Carl Sandburg, 1918

Rum tiddy um,
     tiddy um,
     tiddy um tum tum.
 My knees are loose-like, my feet want to sling their selves.
 I feel like tickling you under the chin—honey—and a-asking: Why Does a Chicken Cross the Road?
 When the hens are a-laying eggs, and the roosters pluck-pluck-put-akut and you—honey—put new potatoes and gravy on the table, and there ain’t too much rain or too little:
         Say, why do I feel so gabby?
         Why do I want to holler all over the place?

* * *

 Do you remember I held empty hands to you
     and I said all is yours
     the handfuls of nothing?

* * *

 I ask you for white blossoms.
 I bring a concertina after sunset under the apple trees.
 I bring out “The Spanish Cavalier” and “In the Gloaming, O My Darling.”

 The orchard here is near and home-like.
 The oats in the valley run a mile.
 Between are the green and marching potato vines.
 The lightning bugs go criss-cross carrying a zigzag of fire: the potato bugs are asleep under their stiff and yellow-striped wings: here romance stutters to the western stars, “Excuse... me...”

* * *

 Old foundations of rotten wood.
 An old barn done-for and out of the wormholes ten-legged roaches shook up and scared by sunlight.
 So a pickax digs a long tooth with a short memory.
 Fire can not eat this rubbish till it has lain in the sun.

* * *

 The story lags.
 The story has no connections.
 The story is nothing but a lot of banjo plinka planka plunks.

 The roan horse is young and will learn: the roan horse buckles into harness and feels the foam on the collar at the end of a haul: the roan horse points four legs to the sky and rolls in the red clover: the roan horse has a rusty jag of hair between the ears hanging to a white star between the eyes.

* * *

 In Burlington long ago
 And later again in Ashtabula
 I said to myself:
   I wonder how far Ophelia went with Hamlet.
 What else was there Shakespeare never told?
 There must have been something.
 If I go bugs I want to do it like Ophelia.
 There was class to the way she went out of her head.

* * *

 Does a famous poet eat watermelon?
 Excuse me, ask me something easy.
 I have seen farmhands with their faces in fried catfish on a Monday morning.

 And the Japanese, two-legged like us,
 The Japanese bring slices of watermelon into pictures.
 The black seeds make oval polka dots on the pink meat.

 Why do I always think of niggers and buck-and-wing dancing whenever I see watermelon?

 Summer mornings on the docks I walk among bushel peach baskets piled ten feet high.
 Summer mornings I smell new wood and the river wind along with peaches.
 I listen to the steamboat whistle hong-honging, hong-honging across the town.
 And once I saw a teameo straddling a street with a hayrack load of melons.

* * *

 Niggers play banjos because they want to.
 The explanation is easy.

 It is the same as why people pay fifty cents for tickets to a policemen’s masquerade ball or a grocers-and-butchers’ picnic with a fat man’s foot race.
 It is the same as why boys buy a nickel’s worth of peanuts and eat them and then buy another nickel’s worth.
 Newsboys shooting craps in a back alley have a fugitive understanding of the scientific principle involved.
 The jockey in a yellow satin shirt and scarlet boots, riding a sorrel pony at the county fair, has a grasp of the theory.
 It is the same as why boys go running lickety-split
 away from a school-room geography lesson
 in April when the crawfishes come out
 and the young frogs are calling
 and the pussywillows and the cat-tails
 know something about geography themselves.

* * *

 I ask you for white blossoms.
 I offer you memories and people.
 I offer you a fire zigzag over the green and marching vines.
 I bring a concertina after supper under the home-like apple trees.
 I make up songs about things to look at:
     potato blossoms in summer night mist filling the garden with white spots;
     a cavalryman’s yellow silk handkerchief stuck in a flannel pocket over the left side of the shirt, over the ventricles of blood, over the pumps of the heart.

 Bring a concertina after sunset under the apple trees.
 Let romance stutter to the western stars, “Excuse... me...”

Published in Cornhuskers
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